Good Bye Summer!

With the advent of autumn the "lazy hazy crazy days of summer" are finally gone until next year. I will miss the long warm Scandinavian evenings of cycling along the coast and sipping beer on the patio while sunset lingers on seemingly forever.

Now roll on the magical snow filled "winter wonderland" instead!

Life is good!

The Nikon 85mm f/1.8 AF-S G is my new Favourite Portrait Lens!

Those of you who have been following my blog for a while would have noticed that I really like the Nikon 50mm F1.8D on DX camera as a portrait lens, in fact it was my "go to" lens for several years when I needed to take portrait photos. This portrait was taken with the 50mm. I have not changed my opinion that the "nifty fifty" is a really nice lens for portraits, but the designation of "favourite" has now been reassigned to the Nikon 85mm f/1.8 AF-S G!

After several months of use I can say with full confidence that I highly recommend it as a head and shoulders portrait lens. The quality of the out of focus areas is sublime, and is only bettered by lenses costing at least two or three times as much. (The 50mm f1.8D is 4x cheaper than this 85mm, so if you are on a tighter budget then it still ranks right up there!)

The pic shown here is taken at f8.0 (on a Nikon D300s) and the background is still pleasingly blurred while beautifully sharp on the subject which isolates the subject from the background very nicely, thank you very much!

If you are from Malmö in Southern Sweden, then I highly recommend you get your own copy from Scandinavian Photo. They have it listed here: Nikon AF 85/1,8G AF-S Please note, I am not employed by or paid by Scandinavian Photo, but when I get great and friendly service from a company then I love to tell my friends about it! Tell them I sent you. :^)

Is the Decline of Camera Sales Good For Photographers?

I have read a lot lately about the declining sales of dslr and mirrorless cameras in favour of phone cameras that have boomed onto the markets in an undeniable fashion. Apparently the major camera manufacturers are scrambling to revise their targets and adjust their production and bottom lines to better reflect the current market trend. I predict that this trend will continue and that we will see a partial return to pre digital camera times when Joe Public carried small, easily portable cameras and the big cameras were left to "pros" and serious amateurs.

The cameras embedded into every smartphone are now good enough to produce nice results for the average person to get acceptable photographs without having to take an expensive course and be able to directly load the results to Facebook, Blogger, etc. Convenience always wins with the consumer public majority!

Could I now also predict a possible upturn for photography as a profession as more people decide that they would rather have a pro with a big camera take their wedding photos than Uncle John with his shiny new camera that has detachable lenses and a big flash simply because Uncle John ditched the inconvenient to carry around and use camera and now only has a Samsung S4 instead?

My theory is that as fewer people have dslr's they will come to rely on someone else, possibly the local high street professional, for their serious photography needs again. I surmise that this transition will take time to become apparent because it takes a while for these things to trickle through, but maybe the pendulum has peaked to the top of it's swing and is about to swing back.

Anybody fancy a quick look into their crystal ball and see if I'm right, or if maybe I'm just a hopeful dreamer? Haha!

Meanwhile back on Planet Earth...
;-)

Using the Sun as part of your Lighting Setup

I like to treat the Sun as an integral part of my outdoor lighting setups to add depth, warmth and ambiance to my subject. In this instance we were shooting some portraits down at the beach in Landskrona and the setting sun was giving a beautifully soft and warm light that was just perfect for portraits!

The light from the Sun is coming from near the horizon to camera right and I also have a Nikon sb700 on a pole shooting through a smallish brolly to camera left and a little above the subject. I had my assistant holding the flash and I let the Sun take care of itself. ;-)

Nikon D300s, Nikkor AF-S 85mm f/1.8 G, 1/320s, f2.8, ISO 200, flash triggered via Nikons wonderful CLS wireless triggering system, hand held.

Portraits are about People! (2)

Nikon sb700 Speedlight on a pole shooting through a smallish Elinchrom shoot through umbrella to camera left and triggered via Nikon's super CLS wireless trigger system. Nikon D90 on manual mode at 1/60s, f7.1, ISO 200, handheld, with the wonderful Nikkor AFS 35mm DX f1.8 lens attached.

Taken on a bridge over the moat at the Landskrona Citadel shortly after sunset.

Portraits are about People!

I know it seems a rather obvious statement, but if you are going to make portrait photography your speciality, then the most important skill is not whether you have mastered the convoluted workings of a modern camera, or if indeed you have a really great "top of the range" piece of high megapixel wizardry, or if your lens can outresolve even the best that aliens on another (more advanced) planet may or may not have. It doesn't even matter if you have the best software that money can buy, or indeed rent, and have taken all the right courses, purchased all the right plugins, and know all the right scripts that a (sometimes dodgy) education can buy. Heck, it doesn't even matter if you can ride a unicycle! What does matter is your people skills!


I love working with people, which is why I love taking portraits, shooting weddings and events, and anything else that involves being around and interacting with humans of all shapes, sizes, creeds, nationalities and eccentricities. I worked in retail, sales and other customer centric businesses for many years and loved every minute of being of service to others!

I have found in my years of photographing people that the first and best thing is to get them to calm down, relax and stop thinking of the camera as an assault weapon bent on their destruction. I know they feel that way because that is exactly how I feel every time the roles are reversed and I find myself on the wrong end of the photo capturing device.

Spend time talking about what they do, what their hopes and aspirations are, how it's going at work, where they went to school, how many languages they speak... etc. etc. Really just become their new, and trusted, friend. As quickly as possible. And it doesn't help to try and fake it either! It has to come from the heart or they will see right through your facade and you will never get the best out of them. Ever.

So really what I have to say is this. If you are not a "people person" then probably portrait photography is not for you. If you are not sure if you are, well then maybe you aren't and a career in landscapes would be more your cup of tea. How do you know for sure? Well, do some soul searching, ask yourself if you genuinely care about people, be honest with yourself. If you do, then brush up on those communication skills because they will set you apart from the rest and your clients will keep coming back as well.

Anybody can learn how to use a camera, but very few photographers know how to get the best out of their subjects. The ones that do are already known to us because it's this one skill that makes their portraits stand out from the crowd.

The pic above is of an up and coming young singer songwriter in Southern Sweden called Fatima Al Atar. Look out for her soon to be released CD, judging by her voice I think she could be the real deal!

Happy shooting!

Olympus Trip 35 Hero Shot

I haven't been able to use my Olympus Trip 35 for over a year now just simply because I cannot find anywhere in Southern Sweden to process film. If anybody knows of a good lab please let me know, I really miss shooting my Trip... but at least I can shoot pictures of my Trip!

Here is a typical camera "hero" shot of my beautiful Olympus Trip 35 complete with authentic period Olympus Pen flash attached. The flash has a few small bits missing but that's ok, the pic looks great with it on. ;-)

Tahdah!

Oooooh! Aaaah! *Spontaneous applause*

"Why thank you, thank you very much!"

Comparison between Polarised and Unpolarised images.

After all these years the effect of a circular polarising filter still seems a little magical to me. First picture is without and then a few seconds later I took the second with the circular polarising filter applied. I am sure you will agree which looks best!

Like I said... magic!

This is a beach in Landskrona, the building is a clinic of some sort and in the distance you can see the island of Ven. The concrete blocks in the foreground are left over fortifications from the Second World War that Sweden built just in case the Germans invaded. They remain unused to this day, to the great relief of everybody in Sweden.

Nikon D300s, Nikkor 35mm 1:1.8G DX AF-S, Circular Polarising Filter, M mode.

A (fairly) Standard Three Light Portrait

Three Elinchrom lights used. Main light camera left Elinchrom 4 bounced into a black backed umbrella from about 45° up and 45° to the subject. Fill light camera right Elinchrom 4 about 1 stop down from main shot through a transparent umbrella. Back light Elinchrom 2 right and behind subject in a medium sized softbox. Nikon D300s and Nikkor 50mm f1.8D.

All this and another light, light stands, plus a background stand, backdrop, two cameras complete with lenses, plus a tripod all fit into one large rolling case to become my highly portable studio ready to leave and shoot on location at any time. Very convenient indeed!

Church in Mellösa Sweden (another take)

I posted a black and white pic of this church last year on this page here: Church in Mellösa Sweden The pic above was taken on the same day, but I prefered this one in colour. Why? I think it has to do with the red building on the left that brings a splash of life to an otherwise drab colour scheme.

Krönetorps Mölla photographed with Nikkor 35mm f1.8G DX AFS

You may remember that I posted a photograph of Krönetorps Mölla in Sweden in June last year here: A "Normal" focal length Prime Lens as a Landscape Lens. Well, this one was shot on the same day but I zoomed in by walking several hundred meters closer than I was in the other shot and caught the sun a little lower down in the sky and hence a little warmer. I like the almost painterly feeling of the photo which is achieved by the wonderfully soft lighting.

Photography is all about the light, and to get your pictures a step up in mood and quality it is worth developing a patient attitude towards what you are doing and not rush it. If that means waiting all alone for hours on end in all kinds of weather, then so be it. But I can guarantee that you will be getting more keepers that way. When I am in a hurry I hardly ever get anything I would like to print and hang on the wall, but when I slow down, apply some thought to the process and savour the moment for it's beauty then my keeper count soars!

Grillning förbjuden

Available Light and the Nikkor 50mm f1.8D = Great Portraits!

My friend Mario is a well known figure in Malmö as he goes around reaching out to the homeless and needy of the city offering them food, friendship and a helping hand. He does all this without pay, and many times without thanks, but keeps simply plugging away. A real hero in my book!

Taken handheld with a D300s, 50mm f1.8D lens and whatever light was available. An aperture of f2.8 ensured a lovely out of focus rendition of the background and sufficient shutter speed to give a sharp portrait.

For those of you that care, here are the settings I used according to the exif data:
Manual, f2.8, 1/125s, ISO 400, auto white balance, and a quick run through DXO Optics Pro 8.

Putting my Light Tent and Elinchrom lights to Good Use

For the last couple of years I have been buying up beer mugs in second hand stores, and it was all started by my daughter who purchased this mug for me at a boot sale:

It turned out to be pre German unification, so it has a little age to it as well. Since then I have added to my collection and below you can find a few of them. I used my light tent with black board inside for the seamless background, an Elinchrom D-Lite-it 2 with 65x65 softbox and Nikon D300s with Nikon 40mm f/2.8 DX G AF-S attached. All manual settings for consistency from shot to shot. Post processed with DXO Optics Pro 8.

 

Another - Single Elinchrom Softbox Portrait

From the same session as the portrait below.

Single Elinchrom Softbox Portrait

More often than not one light is all that is needed.

Photographing an Easter Egg Display

My wonderfully creative wife made a beautiful little Easter Egg display and I just had to photograph it... before I eat and demolish it! ;-) Love you Älskling! ♥

...and a quick pull back shot to show how simple the lighting is:

Early Morning at Lake Esrum

Taken in the tiny harbour on Lake Esrum in Fredensborg, Denmark.

The Park is a Lonely Place in Winter

The Stark Colourless Beauty of Winter

-5° + falling snow = great conditions to test how tough the D300s actually is! Despite being soaking wet and freezing cold by the time I got home the D300s and Nikkor 35mm f1.8G DX combo never missed a beat and came through unscathed. A successful result I think!