Showing posts with label Circular Polarising Filter. Show all posts
Showing posts with label Circular Polarising Filter. Show all posts
Sunday, September 15, 2013
Good Bye Summer!
With the advent of autumn the "lazy hazy crazy days of summer" are finally gone until next year. I will miss the long warm Scandinavian evenings of cycling along the coast and sipping beer on the patio while sunset lingers on seemingly forever.
Now roll on the magical snow filled "winter wonderland" instead!
Life is good!
Thursday, May 23, 2013
Comparison between Polarised and Unpolarised images.
After all these years the effect of a circular polarising filter still seems a little magical to me. First picture is without and then a few seconds later I took the second with the circular polarising filter applied. I am sure you will agree which looks best!
Like I said... magic!
This is a beach in Landskrona, the building is a clinic of some sort and in the distance you can see the island of Ven. The concrete blocks in the foreground are left over fortifications from the Second World War that Sweden built just in case the Germans invaded. They remain unused to this day, to the great relief of everybody in Sweden.
Nikon D300s, Nikkor 35mm 1:1.8G DX AF-S, Circular Polarising Filter, M mode.
This is a beach in Landskrona, the building is a clinic of some sort and in the distance you can see the island of Ven. The concrete blocks in the foreground are left over fortifications from the Second World War that Sweden built just in case the Germans invaded. They remain unused to this day, to the great relief of everybody in Sweden.
Nikon D300s, Nikkor 35mm 1:1.8G DX AF-S, Circular Polarising Filter, M mode.
Wednesday, April 24, 2013
Krönetorps Mölla photographed with Nikkor 35mm f1.8G DX AFS
You may remember that I posted a photograph of Krönetorps Mölla in Sweden in June last year here: A "Normal" focal length Prime Lens as a Landscape Lens. Well, this one was shot on the same day but I zoomed in by walking several hundred meters closer than I was in the other shot and caught the sun a little lower down in the sky and hence a little warmer. I like the almost painterly feeling of the photo which is achieved by the wonderfully soft lighting.
Photography is all about the light, and to get your pictures a step up in mood and quality it is worth developing a patient attitude towards what you are doing and not rush it. If that means waiting all alone for hours on end in all kinds of weather, then so be it. But I can guarantee that you will be getting more keepers that way. When I am in a hurry I hardly ever get anything I would like to print and hang on the wall, but when I slow down, apply some thought to the process and savour the moment for it's beauty then my keeper count soars!
Sunday, November 25, 2012
Field of Wheat. (Simplicity Itself!)
Nikon D90, Aperture Priority Mode, Nikon 35mm f/1.8G AF-S DX, CPL, hand held, f/8.0, 1/100s, ISO200, edited in Corel Paintshop Pro X4.
Friday, November 23, 2012
Grassy Simplicity.
Grass blowing in the wind, shot with a slowish shutter speed and hand held.
Nikon D90, Aperture Priority Mode, Nikon 35mm f/1.8G AF-S DX, CPL, hand held, f/18, 1/13s, ISO200, edited in Corel Paintshop Pro X4.
Friday, October 26, 2012
Swedish Country Scene - Alnarp
Nikon D90, Aperture Priority Mode, Nikon 35mm f/1.8G AF-S DX, CPL filter, handheld, f/8, 1/40s, ISO 200 edited in Lightroom 4.
Wednesday, October 24, 2012
Alnarps Slott på Hösten. (Fyra)
Closer up to the ivy covered walls of Alnarps Castle as the leaves display their gorgeous autumn colours. It is almost as if this is their final swan song before the drab colourless enduring morbidity of winter settles in. There is beauty in everything if you look at it right!
When taking photos of foliage a polarizing filter is absolutely essential to remove any unwanted reflected glare from the great light source in the sky (Sun). Without a CPL filter this shot would have looked quite awful, drab and generally blah. ("Blah" is a highly technical art term) Please CLICK HERE for more info on what a polarising filter actually does.
Nikon D90, Aperture Priority Mode, Nikon 35mm f/1.8G AF-S DX, CPL filter, tripod, f/10, 1/13s, ISO200, edited in Corel Paintshop Pro X4.
Sunday, October 21, 2012
Alnarps Slott på Hösten. (Tre)
The other side!
Nikon D90, Aperture Priority Mode, Nikon 35mm f/1.8G AF-S DX, CPL filter, tripod, f/8, 1/80s, ISO200, edited in Corel Paintshop Pro X4.
Saturday, October 20, 2012
Thursday, October 18, 2012
Alnarps Slott på Hösten.
Alnarps Castle in autumn. The leaves of the trees and vines are displaying beautiful autumn colours in southern Sweden right now so get out with your cameras and don't miss it!
Nikon D90, Aperture Priority Mode, Nikon 35mm f/1.8G AF-S DX, CPL filter, tripod, f/10, 1/15s, ISO200, edited in Corel Paintshop Pro X4.
Monday, October 15, 2012
Texture of Bark on an Old Oak Tree (five)
Nikon D90, Aperture Priority Mode, Nikon 35mm f/1.8G AF-S DX, CPL filter, tripod, f/10, 1/4s, ISO200, edited in Corel Paintshop Pro X4.
Sunday, October 14, 2012
Texture of Bark on an Old Oak Tree (four)
Nikon D90, Aperture Priority Mode, Nikon 35mm f/1.8G AF-S DX, CPL filter, tripod, f/10, 1/6s, ISO200, edited in Corel Paintshop Pro X4.
Wednesday, October 10, 2012
So what exactly does a Circular Polarising Filter do?
I was asked by someone recently what a polarizing filter does and was it worth paying so money much for one? Well, the only way to answer this question is by example, so I set up, with a little help from God and nature, a perfect test area with a huge amount of reflection on wet leaves coming from the diffused light of the sun. Please note, these are for test and display purposes only and are not meant to look remotely pleasant to the eyes.
Here is the special test area unpolarized:
The leaves are wet and reflecting a lot of light into the lens and giving much less than desirable results. Or to use a highly technical term, "it looks yucky"!
Here is the exact same scene, a few seconds later, with the polarizing filter applied. It is simple enough to use, you simply rotate it until the shine goes away! Just remember to look through the viewer while you are doing this or you will not be able to see when you have achieved optimal effect. Live view works just as well.
The first thing you will notice, of course, is that the shine is gone! Vanished into thin air! The second thing that you will notice, is that the greens of the leaves are beautifully saturated, and the picture just looks better in every way. All that shine plays havoc with metering and exposure.
If you intend to photograph gardens, landscapes or shiny cars and buildings a circular polariser is a great idea that will assist you to get much better results by taking away the shine. In landscapes it will also give a beautiful deep blue sky, but it may not look great using wider lenses because the polariser will only turn part of the sky dark blue and it could all end up looking a little strange. Some people like this effect and do it on purpose.
Please note that the polariser reduces the amount of light entering the lens and so in low light shutter speeds may drop too low to hand hold requiring you to use a tripod.
Happy light hunting!
Here is the special test area unpolarized:
The leaves are wet and reflecting a lot of light into the lens and giving much less than desirable results. Or to use a highly technical term, "it looks yucky"!
Here is the exact same scene, a few seconds later, with the polarizing filter applied. It is simple enough to use, you simply rotate it until the shine goes away! Just remember to look through the viewer while you are doing this or you will not be able to see when you have achieved optimal effect. Live view works just as well.
The first thing you will notice, of course, is that the shine is gone! Vanished into thin air! The second thing that you will notice, is that the greens of the leaves are beautifully saturated, and the picture just looks better in every way. All that shine plays havoc with metering and exposure.
If you intend to photograph gardens, landscapes or shiny cars and buildings a circular polariser is a great idea that will assist you to get much better results by taking away the shine. In landscapes it will also give a beautiful deep blue sky, but it may not look great using wider lenses because the polariser will only turn part of the sky dark blue and it could all end up looking a little strange. Some people like this effect and do it on purpose.
Please note that the polariser reduces the amount of light entering the lens and so in low light shutter speeds may drop too low to hand hold requiring you to use a tripod.
Happy light hunting!
Monday, October 8, 2012
Texture of Bark on an Old Oak Tree (three)
Nikon D90, Aperture Priority Mode, Nikon 35mm f/1.8G AF-S DX, CPL filter, tripod, f/10, 1/2s, ISO200, edited in Corel Paintshop Pro X4.
Texture of Bark on an Old Oak Tree (two)
Nikon D90, Aperture Priority Mode, Nikon 35mm f/1.8G AF-S DX, CPL filter, tripod, f/10, 1/6s, ISO200, edited in Corel Paintshop Pro X4.
Sunday, October 7, 2012
Texture of Bark on an Old Oak Tree
Nikon D90, Aperture Priority Mode, Nikon 35mm f/1.8G AF-S DX, CPL filter, tripod, f/10, 1/3s, ISO200, edited in Corel Paintshop Pro X4.
Saturday, August 11, 2012
Just for the Colour Of It! (1)
Photography is a wonderful thing! Sometimes it can be utilised to document an event, or a newsworthy happening, it can bring home a message about a situation halfway around the world, or it can be used to convey emotion through an artistic rendition of a beautiful natural phenomenon, or something beautifully contrived. But sometimes it is just for fun, for our own benefit, simply because we like to take certain pictures that tickle our fancy. Sometimes I just take pictures for the colour of it! For fun! Just because it's what I like to do. :-)
Nikon D90, Nikkor 35mm f1.8G DX, ISO200, Aperture Priority mode, f8, 1/160s, polarising filter, hand held, edited in Corel Paintshop Pro X4.
Nikon D90, Nikkor 35mm f1.8G DX, ISO200, Aperture Priority mode, f8, 1/160s, polarising filter, hand held, edited in Corel Paintshop Pro X4.
Monday, June 18, 2012
A "Normal" focal length Prime Lens as a Landscape Lens
Somehow someone has convinced an aweful lot of us that we need a really wide angle lens to take landscape photographs. Who was that, and why? I find, increasingly, that I am using my AF-S Nikkor 35mm f1.8G DX as my go to lens for landscapes and architecture. Remember this shot of the Turning Torso Building in Malmö? Taken with the same lens! And this detail shot of the same building was taken with the same lens.
The photo above of the Krönetorps Mölla in Arlöv Sweden was taken with this little gem of a lens, and the one below as well.
Instead of taking my bigger, heavier zoom lens and standing in one spot zooming around to get the pics I want, I pop my teeny 35mm on the camera and take a nice leisurely walk in the fresh air and sunshine. Leaving the zoom at home is good for my health! The Surgeon General should give his/her stamp of approval to prime lenses on the basis that they will ultimately produce slimmer, healthier, fitter photographers! Haha!
The other benefit is that the primes often have a lot less distortion problems than zooms and are sharper as well! To match the quality of a good prime with a zoom you will have to start spending the value of a small car to get one! I would rather have a small car.. oh, I already have one. Great! Now I can afford another prime! WooHoo!
The AF-S Nikkor 35mm f1.8G DX is the second cheapest lens that Nikon makes and I think it represents fantastic value for money. The only cheaper lens is the "nifty fifty" 50mm f1.8D which sells for less than a meal in a restaurant for a family of five. Seriously! I took this portrait with the fifty.
All the major camera makers have these cheap primes in their line-up and they are all great, so please don't email me that your particular favourite is better than mine because I don't want to hear it. ;-)
Have a great day!
Friday, June 1, 2012
Blue on Blue
Sometimes photohraphy has less to do with documentary content and more to do with composition, shapes, texture, colour and imagination. I often like to look for art in everyday objects and scenes, which requires really looking and seeing beyond the obvious and useing the old imagination to find what the French call a certain "I don't know what". A lot of people just think I'm strange... this includes members of my own family! ;-)
More "strange" stuff here, here, here, here, and here.
Wednesday, May 30, 2012
Malmö Turning Torso Building (four)
The Nikkor 35mm f1.8G DX lens is a great mobile light weight solution that is super cheap as well. Being an AFS lens it focuses fast and silently. On a crop sensor camera it gives roughly the same field of view as a 50mm lens would give on an FX camera, and this is often referred to as a "normal" lens. There is a misconception that it gives the same field of view as the human eye, but that is not true, we can see somewhat wider than a 50mm lens. They are, however, relatively distortion free, just like our eyes, so this might be where the rumour originated.
Nikon D90, Nikkor 35mm f1.8G DX, ISO200, Aperture Priority mode, f8, 1/640s, polarising filter, hand held, edited in Corel Paintshop Pro X4.
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